Skip to main content

Visit RSPE and Focal at AES to Experience Focal Trio & ASC Attack Wall!


Visit RSPE’s booth Featuring Focal Trio & ASC Attack Wall!

Stop by Booth #821 to see the full array of Focal Professional Monitors, SPL Professional Products, Zaor Workstations and much more.

Focal Trio6 Be Studio Monitors Speakers

The Focal Trio6 Be is a three-way speaker with a 1” tweeter, a 5” woofer, and an 8” subwoofer. Yet, much like it's older sibling the SM9, switching to FOCUS mode reconfigures Trio6 Be into a two-way monitor.

This dual monitor is the new reference in its price range owing to its extreme neutrality, its precise stereophonic imaging, and its ability to resolve the most minute sonic details, while its Class G amplifiers deliver SPL levels to suit all musical styles.

Focal Trio6 Be Key Features
  • Two monitors in one with remote switching: a quick and effective way to compare the mix translated to a compromised speaker system
  • Wide uncompromised dynamics, linearity, and wide dispersion produced by Beryllium inverted dome tweeter: state-of-the-art speaker design and material
  • Neutral, distortion-free sound thank to W composite sandwich cone
  • Rotating baffle: facilitates both horizontal and vertical setups
  • Simplified room integration, thank to LF and HF shelving, 160Hz EQ
  • High SPL accommodates all musical styles (115dB peak @ 1m)
  • FOCUS mode (two-way or three-way configuration): Remote pedal (not supplied)
  • Low and high frequencies & 160Hz notch adjusting: three control knobs


ASC Attack Wall

The ASC AttackWall a free standing, modular acoustic workstation that consistently produces the most amazingly clear sonic space you'll ever work in. The AttackWall produces a reliable, repeatable, and accurate sonic space in which to track, mix, and master, regardless of room or speaker system. 

The AttackWall is made up of Studio Traps and Monitor Traps, versatile acoustic tools created by ASC for the recording studio. The front half of the Studio Trap is treble range reflective and the back side is treble range absorptive. The entire surface of the Traps is bass range absorptive. Studio Traps are adjustable in height and are usually set up midway between the floor and ceiling, but they can be raised or lowered for different listening positions or line of sight requirements. 

ASC AttackWall Features
  • Any Room, Any Studio, Perfect Repeatability
  • Portable and Convenient World Class Control Room
  • Infinite Setup Possibilities from 2.0 to 5.2
  • Use the Same StudioTraps for Gobo Recording
  • Wall Loaded Mains, Just Like a Downtown Studio
  • Engineered for Performance by Art Noxon and Sam Lynn

Popular posts from this blog

Avid Release Pro Tools Update 2018.3

Avid have released a software update for Pro Tools that fixes a number of bugs/issues that many Pro Tools users have been having. Keeping in line with their new numbering scheme, Pro Tools 2018.3 is a March 2018 release. Here is the list of the bug fixes in the Pro Tools 2018.3 release.
Bug FixesControl Surfaces

The Pro Tools | S6, and Pro Tools | Control, now use the correct page table for the expand knob and fader assignment (PT-237378)The page table for Dyn3 De-Esser now uses the correct page table on the Pro Tools | S6 Knob Module (PT-233948)The Pro Tools | Control application will now reflect when tracks are hidden from Pro Tools | S6 or Pro Tools (PT-238653)Opt/Alt touching a fader, in flip mode, will once again set the console and Pro Tools fader to its default value (PT-238654)
Crash/Errors

Fixed a crash when cycling clips in a selection and then undoing (PT-237545)Fixed a crash when a deleted committed track is cleared from undo queue (PT-238766)Fixed a crash when recalling tra…

Studio Tour : Emmy Winner Paula Fairfield's Dolby Atmos Studio

Emmy Award Winning Sound Designer Paula Fairfield is most famous for her work on the hit HBO show, “Game Of Thrones". She’s the sound designer that gives the dragons their voice, and every roar, flap or hiss coming from one of Daenerys’ three dragons is created in the studio she built in her desert home near Palm Springs.

The heart of Paula’s studio is the Avid Pro Tools S6 control surface and Colin Broad PD3 / A-Mon monitoring system that controls her HDX system. For Dolby Atmos monitoring, RSPE incorporated a JBL LSR system housed in the ASC AttackWall for Immersive Sound. The ASC AttackWall provides an optimum mixing environment that's portable and modular and translates every time.

Stay up to date with Paula's adventures in sound design. Give her a follow on Twitter.
Check out more photos of Paula's studio:





Dolby Atmos Production Suite Free 30-Day Demo

Get a Free 30-Day Demo of Dolby Atmos Production Suite The Powerful, affordable tools that let you produce immersive Dolby Atmos mixes in Pro Tools. Dolby Atmos Production Suite brings Dolby Atmos content creation to the masses! This software suite includes the Dolby Atmos renderer, Dolby Atmos Panner Plug-in, and Dolby Atmos VR Spherical Panner Plug-in. With Atmos Production Suite you can edit and premix content for a larger Dolby Atmos session—and do it all on the go with just a laptop and headphones instead of tying up your A-room or dub stage.
These tools give sound editors, mixers, designers, and VR content creators working in Pro Tools a complete solution for creating immersive Dolby Atmos experiences. 
Try Out Dolby Atmos Production Suite Free for 30 Days*!
Dolby Atmos Production Suite FeaturesAllows monitoring of content on your Mac without the need for additional hardwareProvides editorial and premix functionality for film and TV content, along with a complete end-to-end wor…