Thursday, October 6, 2016

Antelope Orion Sale Extended! Save up to up to $500 through Oct 31.


Antelope has Extended their Orion Summer Sale! 

Summer might be over, but the Orion Summer Sale is still hot, so for a limited time you can save $500 on Antelope Orion32+ and $300 on Orion Studio Interfaces. Antelope's line of Interfaces builds on 20 years of experience in digital audio clocking, conversion and analog circuit design to create a line of world-class products that don't break the bank. And now is an even better time to buy!

Shop Orion32+ at RSPE

Shop Orion Studio at RSPE

Or contact your RSPE sales representative for more information!
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Tuesday, September 27, 2016

Visit RSPE and PMC Speakers at AES to get a Sample of what the Flagship Boutique has to offer!


Stop by PMC at AES to get a Sample of what the RSPE PMC Flagship Boutique has to offer!

Visit RSPE at Booth #113 to play your own music on the largest PMC system ever and listen to award-winning musicians, engineers and producers play back some of their work and talk about how PMC speakers fit into their workflow.

PMC "Masters of Audio" Presentations in Room 515B

Al Schmitt and Steve Genewick present “The Art of Recording a Big Band”
Legendary engineers Al Schmitt and Steve Genewick will play snippets of the video, play back music and discuss “ The Art of Recording a Big Band” with ample opportunity for Q&A.

“The Art of Recording a Big Band” is an educational & inspirational behind-the-scenes documentary about studio legend Al Schmitt. Filmed at the famed Capitol Studios in Hollywood, California over two days during a recording session featuring Chris Walden's 19 piece jazz big band. The film focuses on the legendary Al Schmitt, one of the most celebrated music engineer, producer and mixer of all time winning 22 GRAMMY® Awards. Included are interviews with Al’s longtime collaborator Steve Genewick as well as Chris Walden, Dave Pensado, Ryan Hewitt and more.

Greg Wells
Greg Wells is a multiple Grammy nominated record producer, songwriter, musician, and mix engineer in Los Angeles. Wells’ keen, adept musicality, versatility and mastery of multiple instruments quickly became the worstkept secret in the industry as artists ranging from One Republic (“Apologize”, “Stop and Stare”), pop superstar Pink (“Why Did I Ever Like You”) to singer-songwriter Rufus Wainwright (“Across the Universe”),Keith Urban ( “Wasted Time”) to Adele (“One & Only) all called on Wells to write, produce or perform on the track. “It’s about trying to create something compelling, regardless of genre,” says Wells. “I grew up listening to everything and never wanted to limit myself to one particular sound.”

Daniel Shores;
3 time GRAMMY nominated engineer Daniel Shores will be playing back selections from a variety of projects he has recorded mixed and mastered including Choral, Electronic and Strings, Percussion quartet, avant garde new music, folk and celtic, all recorded natively in surround, as well as a few stereo pieces as well. In addition, Daniel will be playing back the 5.1 mixes from the upcoming Pure Audio Blu-Ray Release of composer, technologist and EDM Icon BT's album "Electronic Opus" the day before it's release!

Jeff Ellis ; Engineering Franks Ocean’s “Blonde” and “Channel Orange”
Jeff Ellis is a Grammy Award winning recording engineer and Grammy nominated Mix engineer and was Frank Ocean's Engineer for nearly 5 years. His most notable works include both Frank Ocean’s “channel ORANGE” and “Blonde” from which he will play tracks. Jeff worked with countless top artists during his tenure at Eastwest and rose through the ranks to become one of their main engineers. In 2011, Jeff left Eastwest Studios to engineer Frank Ocean's channel ORANGE. The Album was a critical success, earning Jeff a 2013 Grammy for Best Urban Contemporary Album, as well as a nomination for Album of the Year and Record of the Year. After the success of channel ORANGE, Jeff continued to work as Frank Ocean’s engineer for nearly 4 more years throughout much of the creation of his new album “Blonde”. In addition to his work with Frank Ocean, Jeff has worked with other top artists including Nick Jonas, Vic Mensa, Kate Nash, Skylar Grey, Pernille Rosendahl, SWMRS, Earl Sweatshirt, producers Om’Mas Keith, Malay and more.

Francesco Cameli & Megan Milius; Sphere Studios Los Angeles
Award winning engineer/producer and studio owner Francesco Cameli with Studio Manager Megan will present the journey to create LA’s newest large recording and mixing studio; Sphere Studios Los Angeles. After 13 years in London, Sphere Studios recently made the journey across the pond, closing up shop in the UK with plans to reopen in Los Angeles. Though Sphere’s location has changed, Cameli’s studio philosophy remains the same as it has been from the beginning. “I want to create a space with state-of-the-art equipment but in an environment where the gear melts away and leaves a comfortable vibe that allows clients to express themselves freely and perform to the best of their abilities,” Cameli says. “L.A. is full of talent that converges here from the entire planet, so to me and my clients, [the city] offers the inspiration and the resources necessary to make great records. In that respect, Los Angeles is truly unique.”

Megan has spent the better half of the last decade managing one of the busiest, multi-location recording studios in Los Angeles. She has arranged sessions for some of the industries top artists including Dr. Dre, Wiz Khalifa, Mariah Carey, Deftones, No Doubt and many, many more. Megan is now the Studio Manager for the newly opened Sphere Studios LA and is excited to share this world class facility with the industry.

David Miles Huber
“DMH” is a 4X Grammy-nominated musician and producer in the electronic, dance and down-tempo genres, who creates a “Zen-meets- Tech experience” that pulls the listener into a musical soundscape that’s rich, enticing and energizing. DMH received his degree in music technology from Indiana University and the University of Surrey in Guildford, England. His most prominent book Modern Recording Techniques is the standard recording industry text worldwide. DMH will be sharing insights into his production techniques, philosophies and "toys-ofthe- trades" for making his own style of IDM (intelligent dance music). His music has sold over the million copies.

PMC Student Playback
Students! Bring your stereo or surround projects and listen back on the biggest high-resolution monitor system from PMC!!

Kevin Keith
Worldwide Chief Studio Engineer Apple Music/Beats 1 studios Currently residing in Los Angeles, Kevin has a passion for all things audio and music. Kevin’s path to Chief Engineer for Apple Music/Beats 1 Studios is a showcase of talent and diversity in audio engineering. His resume includes;

  • Recording Engineer - 11+ years mixing major label bands on nationally syndicated TV shows. Mixed over 120 acts, from Taylor Swift to Il Volo. Also mixed records for Elektra and Sony music.
  • Audio Broadcast Engineer -15 years supporting network TV shows, webcasts and location shoots.
  • Music Producer/ Musician - Create original music for over 50 nationally syndicated TV shows, from "Ellen" to "The Bachelor".
  • 5 years Neve Audio in LA, head of technical support, customer training, installs for analog Music, Film Scoring and TV products

Keith’s introduction to audio came in his teens as an upright/ electric bassist and a guitarist. As a musician he experienced the emotion and intensity that players create on stage and quickly became frustrated when his band would spend lots of money for studio recordings that didn’t capture the spirit of the music.

David Rideau
David Rideau (mixer/engineer)is a three-time Grammy nominee who has been making records and mixing for film and TV for more than twenty years. The Los Angeles based mixer and engineer has earned dozens of gold and platinum records for artists and film soundtracks. His discography includes: Sting, TLC, Janet Jackson, Brenda Russell, Earth Wind and Fire, George Benson, BWB, Al Jarreau, Kirk Franklin and Boney James. His film score mixing includes Al Pacino's classic "Scarface" and TV music mixing includes HBO's dramatic theme to the boxing series "24/7".

Student Critique sessions
Students! Bring your stereo or surround projects and listen back to these non-competitive listening sessions and a panel will give you valuable feedback and comments on your work! Students should sign-up for time slots at the first SDA meeting, on a first come, first served basis. Bring your stereo or 5.1 work on CD, DVD, memory-stick, or hard disc, as clearly labeled 44.1 KHz WAVE or AIFF files. Finalists in the Recording Competition are excluded from participating in this event to allow the many nonfinalists an opportunity for feedback on their hard work. The Student Recording Critiques are generously sponsored by PMC, and you get to hear your work on some amazing loudspeakers! Moderator: Ian Corbett, Kansas City Kansas Community College, Kansas City, KS.

Jim Anderson & Ulrike Anderson

10 time Grammy Award winning engineer Jim Anderson and Tonmeister and Bayerischer Rundfunk senior engineer Ulrike Schwartz-Anderson present the recording of the Stavanger Symphony Orchestra, one of the most successful Scandinavian Orchestras ,playing the Brahms 2nd Symphony.

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Visit RSPE and Focal at AES to Experience Focal Trio & ASC Attack Wall!


Visit RSPE’s booth Featuring Focal Trio & ASC Attack Wall!

Stop by Booth #821 to see the full array of Focal Professional Monitors, SPL Professional Products, Zaor Workstations and much more.

Focal Trio6 Be Studio Monitors Speakers

The Focal Trio6 Be is a three-way speaker with a 1” tweeter, a 5” woofer, and an 8” subwoofer. Yet, much like it's older sibling the SM9, switching to FOCUS mode reconfigures Trio6 Be into a two-way monitor.

This dual monitor is the new reference in its price range owing to its extreme neutrality, its precise stereophonic imaging, and its ability to resolve the most minute sonic details, while its Class G amplifiers deliver SPL levels to suit all musical styles.

Focal Trio6 Be Key Features
  • Two monitors in one with remote switching: a quick and effective way to compare the mix translated to a compromised speaker system
  • Wide uncompromised dynamics, linearity, and wide dispersion produced by Beryllium inverted dome tweeter: state-of-the-art speaker design and material
  • Neutral, distortion-free sound thank to W composite sandwich cone
  • Rotating baffle: facilitates both horizontal and vertical setups
  • Simplified room integration, thank to LF and HF shelving, 160Hz EQ
  • High SPL accommodates all musical styles (115dB peak @ 1m)
  • FOCUS mode (two-way or three-way configuration): Remote pedal (not supplied)
  • Low and high frequencies & 160Hz notch adjusting: three control knobs

ASC Attack Wall

The ASC AttackWall a free standing, modular acoustic workstation that consistently produces the most amazingly clear sonic space you'll ever work in. The AttackWall produces a reliable, repeatable, and accurate sonic space in which to track, mix, and master, regardless of room or speaker system. 

The AttackWall is made up of Studio Traps and Monitor Traps, versatile acoustic tools created by ASC for the recording studio. The front half of the Studio Trap is treble range reflective and the back side is treble range absorptive. The entire surface of the Traps is bass range absorptive. Studio Traps are adjustable in height and are usually set up midway between the floor and ceiling, but they can be raised or lowered for different listening positions or line of sight requirements. 

ASC AttackWall Features
  • Any Room, Any Studio, Perfect Repeatability
  • Portable and Convenient World Class Control Room
  • Infinite Setup Possibilities from 2.0 to 5.2
  • Use the Same StudioTraps for Gobo Recording
  • Wall Loaded Mains, Just Like a Downtown Studio
  • Engineered for Performance by Art Noxon and Sam Lynn
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Thursday, September 22, 2016

Get a Free Exhibits-Plus Badge to AES Show Los Angeles from RSPE


Want to attend the AES show in Los Angeles and see what's new in the world of Live Sound, Studio Recording, Home Recording, Music Production, Broadcast and Streaming, Sound for Picture, Networked Audio, Game Audio or Product Development.

Get your FREE AES Show exhibits plus badge at and enter promo code "141AES294". Be sure to visit RSPE at booth 821.

The AES Show Los Angeles 2016, takes place Sept 29 - Oct 2 at the Los Angeles Convention Center in Downtown, Los Angeles. The Free Exhibits-Plus access gains you entry to the exhibition floor and demo rooms, where leading manufacturers reveal and demonstrate the latest in audio hardware and software tools. 
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Monday, September 19, 2016

Sonnox Plugin Bundles 50% Off For a Limited Time


For a limited time, save 50% on Sonnox plug-in bundles, including the best-selling Elite, Essential, Enhance, Broadcast, Live, Post and Restore.

If you've had your eyes on that Sonnox bundle, now is the time to buy. Shop Sonnox Bundles at or Contact your RSPE Sales Specialist today!
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Wednesday, August 24, 2016

Free Triad-Orbit Accessories with the Triad-Orbit Summer '16 Rebate


For a limited time get Free Triad-Orbit Accessories with the Triad-Orbit Summer '16 Rebate. Get a free IO-A1 arm with the purchase of an Orbit OA Boom, and get 2 IO-H hex mounting heads with purchase of a Triad T1 stand.

Orbit OA

Orbit OA has become an indispensable component in the Triad-Orbit toolbox. OA is the essential boom for support systems that utilize our IO-W wall plates and IO-C clamps and it’s an integral part of IO-VM VESA mounts. OA booms are bundled with a IO-A1 long telescopic arm. Purchase a Triad-Orbit OA boom between August 1 and September 30, 2016 and you’ll receive an IO-A2 short tele arm absolutely free!

Triad T1

Triad T1 stands rule the back line. The mighty T1 belies its small size with more mass and flexibility than most stands twice its size. T1 is a drummer’s (and drum tech’s) best friend for miking snares, hi-hats and toms in tight quarters. T1 is also the perfect mic stand for speaker cabs, orchestral winds & strings and as a utility platform for our new IO-Desk. Pickup a Triad T1 stand between August 1 and October 30, 2016 and you’ll receive two IO-H hex mounting heads of your choice for free to expand your own T-O toolbox.

To get your free Triad-Orbit gear download the rebate redemption form using the link below. Once you’ve completed filling out the form, copy or scan it and the original sales receipt for your OA boom or T1 stand. You may submit the completed T-O rebate redemption form and sales receipt via email or ’snail mail’.

Shop Triad-Orbit on RSPE, or contact your RSPE Sales Representative today!
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Monday, August 15, 2016

New Reverb Plug-in - Zynaptiq Release ADAPTIVERB


Zynaptiq has just announced their new plug-in ADAPTIVERB, a harmonic tracking resynthesis reverb plug-in.

ADAPTIVERB is a revolutionary new, reflections-less reverb plugin. Unlike traditional reflection-based acoustic room modeling, ADAPTIVERB adds depth, harmonic richness, and butter-smooth tails without obscuring the source. Preserving the tonal definition and directness of your mix, it adds "size", "glue" and "body" – making it perfect for mixing and mastering applications alike.

Powered by ray tracing, source separation, and advances in artificial intelligence, ADAPTIVERB automatically adapts to the input audio like a chameleon, blending with your sounds perfectly, and conforming its reverb tail to the tonality of the input or a user defined set of notes. While exceptionally fast to use, its advanced synthesis, cross-filtering and reverb pitch processing functionality provides ambient artists, film composers and sound designers with exciting new creative options for making evolving drones, organic pads, lush ambient sound scapes, and more.

ADAPTIVERB Key features at a glance:

  • Revolutionary new reverberation approach with unique sonic characteristics.
  • Bionic Sustain Resynthesis creates stunningly organic tails, eliminating noisy components from the input for clear, harmonic results free of graininess.
  • Harmonic Contour Filtering (HCF) circuit for removing effect components not in tune with the input, a captured harmonic fingerprint, or set of notes defined using an onscreen keyboard.
  • Filtering and pitch quantization based HCF Keyboard modes to conform the effect to a specific key.
  • HCF Hold mode for creating cross-filtering effects.
  • Ray Tracing and Allpass based reverb engines.
  • Input Freeze function for creating drones, pads or infinite reverb type sounds.
  • Simplify function that recreates the input’s harmonic content with a small amount of oscillators for additive synthesis type sounds — without the warbliness. 
  • Richness parameter for adding octave, fifth or unison interval harmonics into the reverb.!
  • Pre-Processing section including harmonic synthesis based Air.
  • More than 400 presets covering a broad range of effects, including bread-and-butter reverbs, "invisible” reverbs, instrument-/voice-colored reverbs, cross-filtering, adaptively filtered delays, and pads/drones that play without input signal.
  • MIDI control of all key parameters.
Shop ADAPTIVERB online from RSPE Audio
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Tuesday, July 19, 2016

RSPE Audio Event - Voice-Over & ADR With Nuage and Nuendo


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Wednesday, July 13, 2016

Rednet Trade-In Deals - Save up to $900


Get up to $900 off select Rednet interfaces when you trade in your qualified i/o, for a limited time only.

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Wednesday, July 6, 2016

Pro Tools | S6 Software v2.2 Now Available from Avid


Avid, the makers of Pro Tools Software, have just announced the newest software release to their S6 Control Surface, software v2.2. The new update not only adds support for the new S6 Master Post Module, but it also adds a handful of new features, that only make this console more streamlined and powerful than ever.

Here are some of the new updates and features in Pro Tools | S6 software v2.2:

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